Poetry Journey #2

What I'm Learning About Publication Standards

The Reality Check I Needed

This week I dove deep into what it actually takes to get published in literary journals. The statistics are sobering: acceptance rates of 1-5%, thousands of submissions for each issue, poems competing against work by MFA graduates and established poets.

What I Discovered:

  • Technical excellence isn't optional; every word must earn its place

  • Originality means avoiding the phrases that come naturally to me

  • Journals have distinct aesthetics I never paid attention to

  • Even great poets get rejected constantly

The Standards Theat Scare Me:

  1. Technical Excellence: My rhythms are inconsistent

  2. Originality: I catch myself using phrases like "love so true"

  3. Emotional Resonance: Is my work universal or just personal?

  4. Market Fit: I have no idea which journals would want my style

What I'm Doing About It:

  • Reading recent issues of journals I admire

  • Making a list of every cliché I can find in my work

  • Studying poets who successfully publish contemporary love poetry

  • Learning to be my own harshest critic

My Current Reality Check: Looking at my 29 poems against these standards, I suspect maybe 3-5 have any publication potential. That's both devastating and motivating.

Questions for Readers:

  • How did you learn about publication standards?

  • What was your first "this isn't good enough" moment?

  • Which journals do you think are most welcoming to newer poets?

This week’s poem:

Sitting in a Scottish Tree

 A playful rhyme for a cozy scene,

In a Scottish tree so serene.

Two souls, the world may say,

Sharing love in a Highland way.


But who is the one, so dear and sweet?

A mystery perched in this romantic seat.

Tell me more, if you'd like to share,

About this rhyme and the love in the air!

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